Identity, Performance and Social Action: Community Theatre Among Refugees (IPSA)
Identity, Performance and Social Action: Community Theatre Among Refugees (IPSA)
About IPSA
Identity, Performance and Social Action: Community Theatre Among Refugees (IPSA) is an ESRC-funded research project that brings together theatre and social science methods to study the lives, identities and experiences of refugee communities living in London.
The project is directed by Professor Nira Yuval-Davis and led in practice by Research Fellow Erene Kaptani. IPSA uses innovative participatory theatre techniques - especially Playback Theatre and Forum Theatre - to explore how refugees narrate, perform and reflect on their identities and social positions. The work takes place with several community groups, including Kosovan, Kurdish and Somali refugees.
IPSA investigates how constructions of identity and belonging operate in the everyday lives of refugees who have settled in London. Rather than relying solely on standard interviews, the project uses community theatre events and workshops to create spaces where participants tell and perform stories of key moments in their lives since arriving in Britain. Spectators and performers then reflect on those stories to uncover the politics of identity, community, self and society.
Using Playback and Forum Theatre as research methods allows participants to:
- Narrate and enact personal stories
- Reflect on experiences of inclusion, exclusion, settlement and agency
- Explore conflicts between self, community, state and society
- Experiment with alternative forms of social action in a supportive setting
In this way, the project contributes both to empirical knowledge about refugee experiences and to methodological debates in social research.
Outline of the Project
Rationale: Displacement, migration and resettlement - often accompanied by significant trauma - have a profound impact on how refugees understand and construct their sense of self (Hayter, 2000). The ongoing pressures of survival and integration within a new social environment frequently leave little opportunity for reflection on these experiences. As a result, conventional interview methods often generate limited or stereotypical accounts.
This research adopts a methodologically innovative approach by using performative theatrical techniques, specifically Playback Theatre and Forum Theatre. Through these methods, refugee participants narrate and perform personal stories that focus on critical moments in their lives since arriving in Britain. This process highlights tensions between constructions of self, community and society, while also enabling participants to explore alternative strategies for social action.
Theoretical and conceptual background: Since the seminal work of Mead (1967) and Goffman (1958), the reflective and performative nature of identity construction has been central to theoretical debates on identity. This perspective has been further developed through postcolonial and psychoanalytic adaptations, including Frantz Fanon’s use of the reflective master–slave relationship (1995), Jacques Lacan’s (1977) emphasis on mirroring in the constitution of the self, and Judith Butler’s (1990; 1993) application of performativity derived from linguistic speech-act theory. Together, these approaches have firmly anchored performativity and reflexivity at the heart of contemporary theories of identity (Hall, 1996; Bell, 1999).
The proposed research seeks to observe the narrative, reflective and performative moments through which identities are constituted in everyday life, using the theatrical space itself as the site of inquiry. By doing so, it deliberately blurs the boundaries between the real, the fantastic and the playful to create a safe and non-threatening environment for exploring processes of identity construction. Within this space, participants are able to explore and enact moments from their own lives, as well as those of others in the audience.
Identities can be understood as stories people tell about their lives and who they are (Martin, 1995). These stories are contested and multiple, shifting across time and context, and drawing on more than one source of collective identity. At the same time, identities cannot be reduced to, or conflated with, social positionings on the one hand or political value systems and projects on the other, although these dimensions are closely interrelated (Yuval-Davis, 1997).
In the community theatre setting, participants invest stories rooted in memory and emotional experience in front of others, including actors and facilitators. Watching these stories re-enacted by others creates a reflective distance between storytellers and their narratives. Evaluation sessions and interviews further support cognitive processes of exploration and clarification of what occurred during the session. Revisiting personal stories and experimenting with alternative responses may contribute to personal change and growth (Sallas, 1993; Boal, 1998). Of particular importance is how the ‘others’ - actors and facilitators - are perceived and integrated into participants’ narratives (Pajaczkowska and Young, 1992).
Hill and Wilson (2003) distinguish between identity politics, in which notions of identity and culture are mobilised for explicit political aims, and the politics of identity, in which individuals choose or are compelled to interact within institutions and collectivities partly based on shared or divergent understandings of identity. One of the questions this research seeks to explore is the extent to which the politics of identity operating within community organisations hosting the theatre performances is transformed and authorised into identity politics, potentially stabilising or even reifying meanings and boundaries of identity.
More broadly, the research is concerned with observing the intersections and interactions between discourses of identity, culture and power as they emerge within theatrical settings and across the diverse social, public and institutional spaces in which the narrated experiences of audience members have taken place.
Our interest in the politics of identity represents only one dimension of a broader concern with people’s politics of belonging (Yuval-Davis, 2003). This includes both the participatory dimension of citizenship and the emotional dimensions of solidarity and cohesion. Membership in collectivities is inherently multi-layered, encompassing sub-state, cross-state and supra-state collectivities as well as national ones (Hall and Held, 1989; Yuval-Davis, 1997; 1999). While refugees and asylum seekers may be stripped of rights and rendered what Agamben (1998) terms ‘bare life’, their politics of belonging is often richer and more complex than that of so-called ‘normal’ citizens.
For this reason, the project places particular importance on observing and analysing the politics of belonging of refugees in London as these are enacted through community theatre in the refugee centres participating in the research.
Key Questions
The IPSA project explores several core research questions:
- How do experimental community theatre techniques contribute to theorising identity processes, especially the performative nature of identity?
- In what ways are identities and modes of belonging constructed, communicated, reflected upon and authorised within community settings?
- How are conflicts and cohesion between self, community, society and the state enacted and negotiated in everyday life?
- What practices and policies can be identified that support good outcomes for refugees, and how can these be shared with community and state agencies?
- How might participatory theatre serve as an alternative or complementary research method for understanding refugee experiences and identity formation?
Approach
Research Methodology:
A series of theatrical events which focus on the refugees' lives since coming to London and their encounters with local voluntary, statutory and governmental agencies are going to be realised.
In Playback Theatre, members of the audience tell stories based on their own experiences and reflections that are then 'played back' to them by actors on stage. Forum Theatre allows both actors and audience members to change the course of the dramatic action, to 'step in' and to suggest and explore alternative behaviour. The theatrical events will be followed by evaluative sessions and semi-structured interviews with a sample of the audience. If permission by the audience is granted, the theatre performances will be videoed. Otherwise, they will be audio-recorded, as will be the follow-up interviews. Interpreters will always be present.
Our method of discourse analysis will broadly follow that of Wetherell and Potter (1992) and will focus on the interpretative repertoires, ideological dilemmas and institutionalised intelligibility found in the various discourses on identity, community and British society that emerged in our analysis, as well as particular constructions of boundaries and belonging/s.
On a different level of analysis, we shall register all instances of interaction between the subjects and agents of community, statutory and state organisations and highlight moments of good practice as they emerged in our collected data.
Outcomes
- Increase understanding of how refugees in London experience their new environment through a new body of knowledge. It will highlight instances of social inclusion and exclusion and the ways legislation and local and national government policy affect and construct the everyday lives of refugees.
- Investigate models of good practice for professionals working with refugees, knowledge and understanding of which will be useful to the work of a wide range of scholars, community activists, development workers, civil servants and policymakers.
- Introduce into the context of social science for the first time the theatrical techniques used in our work as a new methodological tool that could be used in a wide variety of circumstances.
- Together with the other research projects of the overall research programme, our work will contribute to theoretical debates on Identities and Social Action. It will especially add a new perspective on the debate on the performativity of identity constructions as well as on the relationships between politics of identity and politics of belonging.
Further Information
The original IPSA project ran from April 2005 to March 2008, working with a range of community organisations, including:
- Social Action of Health RAMP (Renewal Refugee and Migrant Project)
- Shpresa Programme (Kosovo group)
- Halkevi and KCC (Turkish/Kurdish centres)
- SWAN (Somali Women’s Advice Network)
- Shoreditch Trust peer education group (mixed refugee/migrant group)
Main Findings
The research explored identity, belonging and social action among refugee communities, including Kosovan, Kurdish and Somali groups. The research used two participatory theatre techniques, Playback and Forum, in which people could narrate and perform and subsequently reflect on their identities and their lives since coming to Britain, highlighting encounters of self, community, state and society.
We found out that:
Methodologically, using participatory theatre techniques produces a different kind of knowledge from that of other, more common social science research techniques, on the lives and problems confronting refugees settling in London. This knowledge is reflective, embodied, dialogical and illustrative, and therefore can be highly effective and affective in the dissemination of the findings to interested parties.
Theoretically, identity processes cannot be analysed as either individual or collective, but rather as inter-relational processes of in-between 'becomings'. These processes involve both narratives and performative practices which are continuously communicated, contested and authorised by self and others, and get fixated only within specific contexts of power, such as when subjected to specific discourses of the state.
In terms of the refugees' daily realities and their policy implications:
- Refugees cannot be seen as one homogeneous group of people.
Their migration circumstances, processes of settling here and experiences of British society differ. Also, as a result of complex and shifting British immigration policies, they are in different legal relationships with the state in terms of rights and obligations. Different social locations, identifications and values in terms of ethnicity, gender, class, stage in the life cycle, etc also affect refugee identities.
- Although members of the three ethnic refugee communities with whom we worked can all be labelled as 'Muslim',
'Muslim' identity meant very different things to the participants within each group but especially between them - from an almost vacuous identity marker of origin, via a boundary marker of national belonging to a central cultural and religious mode of selfhood.
- Different refugees have different resources, economic, but also human and social capital, to aid them in their settlement process
in London/Britain and in their encounters with the state. Their membership in a community organisation can become such an important resource.
- One of the most fundamental problems, common to many refugees, even those who are settled here, is the uncertainty concerning the future, not knowing when they will be told that their country of origin is now 'safe' and therefore they need to be 'repatriated'.
Their inability to plan their future seriously hampers their full integration into British society.
- The refugees develop a multi-layered sense of belonging, trans-national where possible.
Although longing, nostalgia and/or loyalty to their countries of origin are common among refugees, they usually also develop a sense of local belonging, often pragmatic, often mediated via belonging to their community organisations, often ambivalent as a result of a sense of racialization and exclusion by local society and state.
- The relationships of refugees with local people (including agents of the state) vary
from a complete sense of separation and isolation, sometimes persecution, to frequent tales of friendship and support.
- Many refugees, often depending on their gender and generation, develop conflictual relationships with cultural norms of both the community of origin and local peer groups.
Many youngsters feel impeded in their pursuit of education and fulfilling work as a result of needing to support their families.
- Lack of knowledge of English emerged as a major problem, with interpreters often causing problems of their own.
Children who are required to interpret for their families feel trapped in the middle of conflictual conversations between powerful adults and professional interpreters, who are perceived as often abusing their power and exploiting the refugees.
- Special technologies of intimidation and disempowerment are
used in crucial encounters of the asylum seekers with the state, such as taking away their mobile phones, preventing them from bringing their solicitors, friends or interpreters.
- Children are sometimes separated from their parents
so that the latter could be deported while the British state still conforms to the ban on child deportations in international covenants on the rights of the child. Refugee women, especially Somali, often live in fear of their children being taken away from them.
- Even when state policies are aimed at inclusion and integration, their mode of execution can end up being counterproductive, as they are not case sensitive.
For example, policies aimed at encouraging women refugees to learn English and to find work (such as Sure Start) do not take into consideration their family situation, the needs of their husbands and often end up being divisive. Moreover, these policies are applied in a top-down manner, which is not sensitive to particular individual circumstances and are abruptly stopped when the women’s children reach the age of five.
- This bureaucratic top-down approach can also have other unintended effects of disempowering refugees and others.
For example, refugees who wanted to retain independence and autonomy and not to rely on social security were told they could not get any training and support in applying for various training courses and jobs, as such help was only available to those registered as unemployed. Similarly, settled refugees from other European countries who arrived in the UK to take care of ailing relatives were not given housing support because they were not registered locally as refugees.
Conclusion
There is a central paradox in the treatment of the state of refugees and asylum seekers: on the one hand, they are accused of not being willing to integrate with British society and its values and on the other, many of the policies aimed at them are intended to prevent them from staying, let alone integrating, in Britain. The burden of integration and cohesion is seen to fall on refugees and other migrants rather than the rest of the local population and the state. The refugee and migrant 'other' is blamed for any disintegration experienced in British social cohesion. Neither assimilationism nor multiculturalism, which reifies and homogenises ethnic cultures and boundaries are the solution, but rather a convivial attitude to difference and a decentring of Western centrism.
Ethnic community organisations can help rather than hinder integration into British society, although preoccupation with difference can be destructive and pluralist citizenship spaces are vital. A sense of cohesion and belonging does not depend on the population’s shared sense of similarity and a myth of common origin, but also, more crucially, when they share a sense of common destiny. Helping refugees and British society to feel their futures are interlinked is the best way to generate a sense of common belonging and cohesion. Denying refugees any sense of permanence and constructing their stay as contingent can only prevent such integration.
Advisory Committee
The Advisory Group
The Advisory Committee for the Identity, Performance and Social Action Research Project meets on average twice a year. The members use their areas of expertise to help highlight issues that need greater attention.
The First Advisory Meeting in October 2005 introduced the research project and discussed some of the theoretical and methodological issues related to it.
The Second Advisory Meeting in June 2006 focused on presentations and a panel discussion on the practise of using theatre as a research tool.
The Third Advisory Meeting in December 2006 was a Visual Analysis Workshop that was run in conjunction with the Centre for Narrative Research (CNR). Using video excerpts from the research, this workshop aimed to help develop tools for analysing theatre visually.
Advisory Committee
- Dr Theodros Abraham (NGO, Anthropology)
- Ms Nelly Alfandari – Theatre facilitator
- Dr Molly Andrews – UEL (Narrative Studies)
- Prof Floya Anthias – Oxford Brookes University (Sociology)
- Prof Haim Bresheeth – UEL (Head of the department in social sciences, media and cultural studies)
- Mr Alistair Campbell – Queen Mary University of London, (School of English and Drama)
- Mr Simon Floodgate – Reading University (Drama)
- Mr Don Flynn – Joint Council for the Welfare of Immigrants
- Mr Duncan Foster – Playback South
- Mr Christos Giovanopoulos – Observer
- Prof Paul Heritage – Queen Mary University of London (School of English and Drama)
- Ms Jane Hoy – Birkbeck, University of London
- Mr Mark Hunter – Institute of Performing Arts (UEL)
- Mr Adrian Jackson – Cardboard Citizens
- Dr Alison Jeffers – University of Manchester (In Place of War)
- Dr Maja Korac – UEL (Refugee Studies)
- Prof Phil Marfleet – UEL (Refugee Studies)
- Ms Veronica Needa – Playback South
- Dr Mark O’ Thomas – Director Designate, Institute of Performing Arts (UEL)
- Prof Ann Phoenix – Open University (Social Psychology)
- Dr Lucy Richardson – London Metropolitan University
- Mr Fabio Santos – Project Phakama
- Ms Thelma Sharma – Playback South
- Dr Corrine Squire – UEL (Narrative Studies)
- Dr Marcel Stoetzler – University of Manchester
- Mr Andrea Ughetto – Theatre facilitator
- Prof Margie Wetherell – Open University (Director Identities Programme)
Papers & Conferences
The Identity, Performance and Social Action Research Project has attended the following conferences, presenting these presentations and papers.
- Erene Kaptani will be speaking at the Cultural Studies Conference in July on Performing power: using theatre with groups ['Playback' and 'Forum'] as cultural and aesthetic spaces for refugees to construct, authorise and resist power.
- Nira Yuval Davis, Identity, Identity Politics and the constructionism debate at the BSA Conference 2007 at the University of East London.
- Erene Kaptani's Performance, Space and Identity: Community Theatre Among Refugees was part of a colloquium organised by the ESRC Identities and Social Action Programme and the Open University Geography Department, February 2007 and the Performance and Asylum symposium, supported by AHRC, Royal Holloway, February 2007.
- Nira Yuval-Davis/Erene Kaptani Theatre praxis as a research narrative ESRC residential conference of the Identities and Social Action research programme, July 2006 at the Open University
- Nira Yuval-Davis Identity, performativity, mirroring - some thoughts for the first advisory board [Sept 05] of the ESRC projects at the University of East London 2005
Annual Report
- Annual Report 2006
- Annual Report 2007
- Economic and Social Research Council (E.S.R.C)
Links to Related Groups and Projects
Contact us
Research Director: Prof Nira Yuval-Davis n.yuval-davis@uel.ac.uk
Research Fellow: Ms Erene Kaptani e.kaptani@uel.ac.uk
Useful links
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Centre for Migration, Refugees and Belonging
The Centre for Migration, Refugees and Belonging is located at the University of East London.

