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Dr Lindsay Anne Hallam

Senior Lecturer

Moving Image Research Centre (MIRC), University of East London, Media and Screen

Lindsay is the co-Programme Leader of Film, along with Johannes Maier. She teaches Film Analysis and Film History on the BA Film course. Her primary research interest is horror cinema.


    To see the full list of Lindsay's publications, go to:


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    Devil's Advocate - Twin Peaks: Fire Walk With Me

    Lindsay Hallam. 2018. Auteur Press.

    Touching the Colour and Sound of Your Body's Tears: Affect and Homage in the Neo-Giallo

    Lindsay Hallam. 2017. 16:9.

    'Why are there always three?': The Gothic Occult in Dario Argento's Three Mothers Trilogy

    Lindsay Hallam. 2017. Journal of Italian Cinema and Media Studies, Volume 5, Number 2.

    May the Giant Be With You: Twin Peaks Season 2, Episode 1 and the Television Auteur

    Lindsay Hallam. 2016. Senses of Cinema, July 2016.

    Dr. de Sade: A Sadean Approach to Representations of Mad Science in Horror Cinema

    Lindsay Hallam. 2014. Transnational Horror Across Visual Media: Fragmented Nightmares. Routledge.

    Kill Lists: Sade, Cinema and the Language of the Torturer

    Lindsay Hallam. 2014. Critical Insights: Violence in Literature. Salem Press..

    A Beautiful Life of Evil and Hate: The Vampire-Witch in Mario Bava's Black Sunday

    Lindsay Hallam. 2014. Dracula's Daughters: The Female Vampire on Film. Salem Press..

    Screening the Marquis de Sade: Pleasure, Pain and the Transgressive Body in Film

    Lindsay Anne Hallam. 2012. McFarland.

    Genre Cinema as Trauma Cinema: Post 9/11 Trauma and the Rise of 'Torture Porn' in Recent Horror Films

    Lindsay Hallam. 2010. Trauma, Media, Art: New Perspectives. Cambridge Scholars Publishing..

    "100% Sadist": Violence is Sex in Takashi Miike's Ichi the Killer

    Lindsay Hallam. 2009. Asian Cinema Journal, Volume 20, Issue 2..





    Lindsay is the co-Programme Leader for Film, along with Johannes Maier.

    She is also the module leader on MS4203 Film History, and teaches on MS4202 Film Analysis, MS5202 Critical Theory, MS5203 Film, History, Memory, MS6202 Cinema of Affect, MS6203 European and World Cinemas.