Dr Lindsay Anne Hallam
Moving Image Research Centre (MIRC), University of East London, Media and Screen
Lindsay Hallam is co-Programme Leader of the BA Film course. She teaches across many modules, in the areas of film theory, film history, and film production.
To see the full list of Lindsay's publications, go to: https://uel.academia.edu/LindsayHallam
Lindsay's primary research interests are horror in film and television. For a full list of all of Lindsay's publications, visit this link: https://uel.academia.edu/LindsayHallam
Devil's Advocate - Twin Peaks: Fire Walk With Me
Lindsay Hallam. 2018. Auteur Press.
"Women's Films: Melodrama and Women's Trauma in the Films of David Lynch", in Women of Lynch, edited by David Bushman and Scott Ryan.
Lindsay Hallam. 2019.
Touching the Colour and Sound of Your Body's Tears: Affect and Homage in the Neo-Giallo
Lindsay Hallam. 2017. 16:9. http://www.16-9.dk/2017/10/touching-the-colour/.
'Why are there always three?': The Gothic Occult in Dario Argento's Three Mothers Trilogy
Lindsay Hallam. 2017. Journal of Italian Cinema and Media Studies, Volume 5, Number 2.
May the Giant Be With You: Twin Peaks Season 2, Episode 1 and the Television Auteur
Lindsay Hallam. 2016. Senses of Cinema, July 2016. http://sensesofcinema.com/2016/twin-peaks/lynch-televison-auteur/.
Dr. de Sade: A Sadean Approach to Representations of Mad Science in Horror Cinema
Lindsay Hallam. 2014. Transnational Horror Across Visual Media: Fragmented Nightmares. Routledge.
Kill Lists: Sade, Cinema and the Language of the Torturer
Lindsay Hallam. 2014. Critical Insights: Violence in Literature. Salem Press..
A Beautiful Life of Evil and Hate: The Vampire-Witch in Mario Bava's Black Sunday
Lindsay Hallam. 2014. Dracula's Daughters: The Female Vampire on Film. Salem Press..
Screening the Marquis de Sade: Pleasure, Pain and the Transgressive Body in Film
Lindsay Anne Hallam. 2012. McFarland.
Genre Cinema as Trauma Cinema: Post 9/11 Trauma and the Rise of 'Torture Porn' in Recent Horror Films
Lindsay Hallam. 2010. Trauma, Media, Art: New Perspectives. Cambridge Scholars Publishing..
"100% Sadist": Violence is Sex in Takashi Miike's Ichi the Killer
Lindsay Hallam. 2009. Asian Cinema Journal, Volume 20, Issue 2..
Lindsay is the co-Programme Leader for Film, along with Johannes Maier.
She is also the module leader on MS4203 Film History, and teaches on MS4202 Film Analysis, MS5202 Critical Theory, MS5203 Film, History, Memory, MS6202 Cinema of Affect, MS6203 European and World Cinemas.
Lindsay teaches across the following modules on the BA Film course:
MS4012 Aesthetics and Technologies
MS4020 Media Cultures
MS4016 Film History
MS5206 Cinematics 2
MS5207 Critical Theory
MS5205 Professional Practice
MA6201 Cinematics 3
MS6202 Cinema of Affect
MS6203 European and World Cinema
MS7515 Documentary Cinema