Dr Paul Gormley

Principal Lecturer in Film

Moving Image Research Centre, School of Arts and Digital Industries

EB 1.22, Docklands Campus
School of Arts and Digital Industries (ADI)
University of East London
Docklands Campus
London
E16 2RD
p.gormley@uel.ac.uk +442082232936

Overview

Research interests in contemporary film theory, popular culture, Hollywood Film, ethnicity and film, affect and film

Collaborators

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Research

The New-Brutality Film: Race and Affect In Contemporary Hollywood Cinema

Gormley, P. 2005. Intellect/University of Chicago. 229pp.

"The Affective City: Urban Black Bodies and Milieu in Menace II Society and Pulp Fiction" in Screening the City

Fitzmaurice, T & Shiel, M . 2003. Verso. 180-97.

"Trashing Whiteness: Pulp Fiction, Se7en, Strange Days and Articulating Affect in Angelaki: A Theoretical Journal of the Humanities

Beasley - Murray, J & Moreiras, A. April 2001. Routledge. 155-171.

"Crash and the City" in darkmatter
http://www.darkmatter101.org/site/2007/05/07/crash-and-the-city/

Sharma, S & Sharma A. 2007. online.

"“The American Crime Film and the Aesthetics of Powerlessness”
in Directory of World Cinema: American Independent 1

Berra, J. 2010. Intellect/University of Chicago. 104-108.

Discovering Sherry/Jerez (film)
https://www.youtube.com/watch?v=7YAAK37sVv0

Gormley, P. 2010. Serie Fondo Documental Ministerio de Medio Ambiente Y Medio Rural Y Marino.

"In the Mood for Love and the "Secret" of Affect" in The Cine-Files: Special Edition on Cinematic Affect Spring 2016
http://www.thecine-files.com/gormley2016/

Ann Rutherford. Spring 2016. Savannah College of Art. online.

"Blowing Up the War Film: Powerlessness and the Crisis of the Action-Image in The Hurt Locker and Inglourious Basterds"

Hendrick, J. forthcoming 2017. Blackwell/Wiley.

Publications

Funding

Contemporary film and cultural theory
Cinema and affect

Interests

Portfolio

BA Film & MA FIlmmaking

BA:
Film Analysis
Film History
Cinemas of Affect
Critical Theory
Dissertation

MA
Audiovision