
Dr Sharon N Hughes
Course Leader/Senior Lecturer
Race, gender and digital media – Cultural production and identity – Sociology of Black beauty and fashion consumers
Department of Fashion , School of Arts and Creative Industries
Course Leader/Senior Lecturer in Fashion Marketing, Beauty and Communication.
Areas Of Interest
- Exploring black and brown narratives in fashion and arts curriculum
- The evolution and evaluation of Black Beauty
- Cultural production of black female fashion and beauty consumers
- Digital media influence on race and gender
- Sociology of black fashion consumers
OVERVIEW
Dr Sharon N. Hughes is a globally recognised expert in Black beauty culture, fashion marketing, and inclusive brand strategy. With over 25 years of experience across academia and industry, she brings a distinctive voice to the evolving conversation around authenticity, representation, and ethical storytelling in fashion and beauty.
As a published academic, Dr Hughes’s research explores the cultural production of Black women, consumer identity, and diversity in marketing. Her insights support brands in building meaningful connections with underrepresented audiences—translating cultural fluency into business impact. She has consulted for major fashion houses, including Chanel, Jeffrey Campbell, Macy's, and Limited Brands and advised educational institutions and global corporations on inclusive marketing, curriculum innovation, and leadership development.
A leading voice at the intersection of arts, technology, and business, she has worked with universities in the UK, US, Indonesia, Portugal and Dubai, bringing expertise in digital strategy, brand storytelling, and social media for fashion.
EXTERNAL ROLES
Founder, The Black Beauty Project
PUBLICATIONS
Visit the UEL research repository to view a full list of publications.
Publications
Browse past publications by year.
Full publications list
Visit the research repository to view a full list of publications
- Introducing ‘Black Beauty: Perspectives, Viewpoints and Representations’ Critical Studies in Fashion & Beauty. 16 (1), pp. 7-17. https://doi.org/10.1386/csfb_00095_2



